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Subject: Re: OT: WMF drawings from Docutech 135PS have thin and missing lines
From: Allen Schaaf <soundbyte@xxxxxxxxxxxxxxxxxxx>
Date: Sun, 10 Mar 2002 22:30:59 -0800
In-Reply-To: <85256B75.006D2B6F.00@btg_hub01.bombardier.com>
Sender: owner-framers@xxxxxxxxx
At 11:52 AM 3/7/02, eric.dunn@ca.transport.bombardier.com wrote:
>Not to take issue with DOV, but:
>
>Did you check the line width setting? We use WMFs and CGMs created from
>illustrations in AutoCAD.
>
>At first all seemed fine, until we printed and many line were too faint.
>Investigation showed that the AutoCAD drawings were not using any line
>weights for many line types. So effectively these lines were zero width.
>Looked fine on screen (1 pixel line width), looked acceptable in drafts
>off office laser printers (1/300" or 1/600 line width), started to
>disappear on final print (Docutech 1/1200" or 1/2400" line width).
Eric,
I'm not sure where you get your figures, but Xerox only claims 600 dpi for
a 135, and the same for a 6100. But office printers like the 4050 and 4100
can do 1200 dpi.
Or are you saying that because they can modulate the density of the dot
this is equivalent to 1200 dpi? As far as I know this is not possible on
laser printers of any kind as opposed to a monitor which does exactly that
to get shades of gray
There is always a lot of confusion on this issue because halftones are
measured in lines per inch. They approximate various grays by changing the
percentage of the coverage of a "pixel" (I know this is not correct
terminology but it works for our purposes.) so that the mix of white and
black create various grays like a pointillist painting.
Each half tone dot needs to be ten pixels by ten pixels which can create
the illusion of 101 steps from white to solid black as in litho printing it
is either white or black with no shading except by sizing the black to the
white. Depending on the quality of the toner this might be a Dmax of 2.5 to
3.0 which makes the steps a little ragged.
I know when I get a manual printed on a docutech, the lines per inch is
either 85 or 100 for halftones with 100 being most common.
Allen Schaaf
Technical writing
<soundbyte@sound-by-design.com>
Despite direct awareness of what competition does to people..., some
individuals persist in claiming that its effects are constructive. This is
a powerful example of how it is possible to adjust our beliefs so as to
escape the threatening realization that we have been subjecting ourselves
to something terrible, that we have internalized a corrosive personality
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Alfie Kohn
"NO CONTEST - The Case Against Competition"
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